{"id":18,"date":"2026-03-30T05:08:41","date_gmt":"2026-03-30T05:08:41","guid":{"rendered":"https:\/\/gopakumar.in\/?page_id=18"},"modified":"2026-04-15T05:06:45","modified_gmt":"2026-04-15T05:06:45","slug":"about","status":"publish","type":"page","link":"https:\/\/gopakumar.in\/?page_id=18","title":{"rendered":"About"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0\">\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-9c22b1e3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3-1024x1024.png\" alt=\"\" class=\"wp-image-22\" srcset=\"https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3-1024x1024.png 1024w, https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3-300x300.png 300w, https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3-150x150.png 150w, https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3-768x768.png 768w, https:\/\/gopakumar.in\/wp-content\/uploads\/2026\/03\/image-3.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--60);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--60)\">\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-xx-large-font-size\">R. Gopakumar (Kerala, India) is an Indian contemporary multidisciplinary artist, Curator and India\u2019s first major digital art collector living and working in Kingdom of Bahrain.<\/h2>\n\n\n\n<p>He works in a variety of media, including digital art, motion photography, installation, drawing, painting and print.<\/p>\n\n\n\n<p>He uses art and technology to discuss and expose the environmental, social and political issues of the society.<\/p>\n\n\n\n<p><strong><em>\u201cI believe&nbsp;the work of art should change the existing visual, intellectual and aesthetic sense and experiment with finding new visual phenomena. \u201c<\/em><\/strong><\/p>\n\n\n\n<p><strong>Exhibitions include:<\/strong><\/p>\n\n\n\n<p><strong>Saatchi Gallery London, UK.<\/strong><\/p>\n\n\n\n<p><strong>Tate Britain, UK.<\/strong><\/p>\n\n\n\n<p><strong>Museum of Modern Art (MoMA)<\/strong><\/p>\n\n\n\n<p><strong>Kochi-Muziris Biennale, Kochi, India (Collaterals)<\/strong><\/p>\n\n\n\n<p><strong>The Wrong Biennale , Alicante, Spain<\/strong><\/p>\n\n\n\n<p><strong>Bahrain Museum, Manama, Bahrain<\/strong><\/p>\n\n\n\n<p><strong>The Kinsey Institute Art Gallery, USA.<\/strong><\/p>\n\n\n\n<p><strong>Kingsborough Art Museum, NY, USA<\/strong><\/p>\n\n\n\n<p><strong>Museum of Contemporary Arts (MoCA L.I.), Long Island, NY, USA.<\/strong><\/p>\n\n\n\n<p><strong>National Gallery of Modern Art, New Delhi, India<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2026 Sedition Studio, Re-occuring Digital Exhibition, art&#8217;otel London Hoxton<\/li>\n\n\n\n<li>2026 &#8220;Hello Uzbekistan!&#8221; \/\/ Techspressionism, Digital Art VIdeo Exhibition, Samarkand, and Qarshi (US Embassy, The\u00a0American\u00a0Corner). \u00a0<\/li>\n\n\n\n<li>2025 Sedition art Curated Artist Section. The curated section features incredible works from renowned contemporary artists, including Damien Hirst, Tracey Emin, Shepard Fairey, Yoko Ono, Jenny Holzer, Wim Wenders, and many more!<\/li>\n\n\n\n<li>2025\/2026 The Wrong Biennale, Alicante, Spain. (Projects: Prayers to Ai &#8211; Chapter One, Low CFG Project, Metatopia<\/li>\n\n\n\n<li>2025 &#8220;Hello Uzbekistan!&#8221; \/\/ Techspressionism, Museum of Contemporary Art (CAMUZ), Urgench, Uzbekistan<\/li>\n\n\n\n<li>2025 Art for Peace and Nonviolence, KASS Charitable Trust, Kochi, Kerala, India.<\/li>\n\n\n\n<li>2025 Hello, Chelsea! \/\/ Techspressionism, Hudson Guild Gallery, NY, USA.<\/li>\n\n\n\n<li>2024 MoCA L.I.ghts 2024 at the Museum of Contemporary Arts (MoCA L.I.) in Long Island, NY, USA.<\/li>\n\n\n\n<li>2024 Wild and Newfangled Techspressionism, Museum of Wild and Newfangled Art (MOWNA), NY, USA.<\/li>\n\n\n\n<li>2024 Hello Brooklyn!, Techspressionism, &nbsp;Kingsborough Art Museum, NY, USA<\/li>\n\n\n\n<li>2023\/2024 The Wrong Biennale (Cyberiana Pavilion) , Alicante, Spain<\/li>\n\n\n\n<li>2021 CADAF Crypto and Digital Art Fair, Paris, France.<\/li>\n\n\n\n<li>2021 Visual Artists Association, Art Exhibition, London, UK<\/li>\n\n\n\n<li>2021 V-Art Digital Art Spaceship Exhibition \u2013 Ukraine<\/li>\n\n\n\n<li>2020 Art Workshop and Exhibition 151 birth anniversary of Mahatma Gandhi, National Gallery of Modern Art, New Delhi, India<\/li>\n\n\n\n<li>2020 Monsoon Art Fest, Kerala, India<\/li>\n\n\n\n<li>2020 Muse India Online Art Gallery, Hyderabad, India.<\/li>\n\n\n\n<li>2019 3rd Art Quake Kyoto Creativity Biennale Art Quake Kyoto, Japan<\/li>\n\n\n\n<li>2019 Objectified CICA Museum, South Korea<\/li>\n\n\n\n<li>2016 Art Rise Savannah\u2019s Art Festival, Savannah, Georgia<\/li>\n\n\n\n<li>2016 Alert Not Alarm \u2013 Unpresentable in Presentation, Durbar Hall Art Gallery, Kochi, Kerala, India<\/li>\n\n\n\n<li>2015 Vastu \u2013 Dialogues on Post-Performance Object, Nanappa Art Gallery, Kochi, Kerala, India<\/li>\n\n\n\n<li>2015 Sofia Underground \u2013 International Performance Art Festival, Sofia, Bulgaria<\/li>\n\n\n\n<li>2014 Saatchi Gallery London, UK. \u2013 The Motion Photography Prize Exhibition<\/li>\n\n\n\n<li>2014 Tate Britain, UK \u2013 Source Spotlight Light Display \u2013 Texture &amp; Collage Exhibition<\/li>\n\n\n\n<li>2014 Critical Juncture, Kochi-Muziris Biennale, Kochi, India (Exhibition and Residency)<\/li>\n\n\n\n<li>2014 Cesar Garcia (Curated Art Collection) Saatchi Art Online<\/li>\n\n\n\n<li>2014 The Power of Art, Tune Bibliotek, Sarpsborg, Norway<\/li>\n\n\n\n<li>2013 Colours \u2013 Peace &amp; Solidarity \u00c5rj\u00e4ngs Bibliotek, Galleri Passagen, Sweden<\/li>\n\n\n\n<li>2012 Art Meets Lawrence Ferlinghetti\u2019s Poetry Exhibition \u2013 Arte Citt\u00e0 Amica, Torino , Italy<\/li>\n\n\n\n<li>2012 Immagine &amp; Poesia Beausoleil: Gianpiero Actis and friends of the Movement \u2013 Municipal Cyberspace Beausoleil, France<\/li>\n\n\n\n<li>2011 Exhibition on the 150th Anniversary of Italian Unification \u2013 Homage to Lawrence Ferlinghetti, Arte Citt\u00e0 Amica, Torino , Italy<\/li>\n\n\n\n<li>2011 Galleria d\u2019Arte Contemporanea Grafica Manzoni, Torino, Italy<\/li>\n\n\n\n<li>2010 Absence of freedom Digital print to Yoko Ono\u2019s Wish Tree at the Museum of Modern Art (MoMA), New York, USA<\/li>\n\n\n\n<li>2010 \u201cNature &amp; Nurture\u201d, The Kinsey Institute Art Gallery, USA..<\/li>\n\n\n\n<li>2010 2nd Anniversary Exhibit and Contest. MOCA: Museum of Computer Art, Brooklyn NY, USA.<\/li>\n\n\n\n<li>2009 Art Exhibition, ISE Cultural Foundation NY, USA.<\/li>\n\n\n\n<li>2000 Bahrain Museum, Manama, Bahrain<\/li>\n\n\n\n<li>1996 State Exhibition, Kerala Lalithakala Akademi, Kerala, India<\/li>\n\n\n\n<li>1995 Annual Art Exhibition, Ravi Varma College of Fine Arts, Kerala, India<\/li>\n<\/ul>\n\n\n\n<p><strong>Academic Qualification:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1990-1995 Five Year NDFA (Painting) from The Raja Ravi Varma College of Fine Arts, Mavelikkara, Kerala, India.<\/li>\n<\/ul>\n\n\n\n<p><strong>Training:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2007 \u2013 History of Art Diploma Course \u2013 London Art College, UK. Instructor: Stewart Roberts.<\/li>\n\n\n\n<li>2012 \u2013 Contemporary Art \u2013 Museum of Modern Art (MoMA), New York, USA. Instructor: Pablo Helguera.<\/li>\n\n\n\n<li>2013 \u2013 \u2018Third Industrial Revolution\u2019 by using 3D printing and CNC artistic possibilities, Alriwaq and the American Art Space, Kingdom of Bahrain. Instructors: Christopher Coleman &amp; Laleh Mehran.<\/li>\n\n\n\n<li>2014 \u2013 Catalysts: Artists Creating with Sound, Video, and Time training from Museum of Modern Art (MoMA), New York, USA. Instructor: Randall Packer.<\/li>\n\n\n\n<li>2015 ART of the MOOC: Merging Public Art and Experimental Education, Duke University. Instructors: Pedro Lasch, Nato Thompson.<\/li>\n<\/ul>\n\n\n\n<p><strong>Awards and Achievements:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2024, \u2018Between Man and Nature\u2019 digital art selected by Climate Art Collection, Berlin, Germany.<\/li>\n\n\n\n<li>2022, he is one of the founders of&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Techspressionism\" target=\"_blank\" rel=\"noreferrer noopener\">Techspressionism<\/a>&nbsp;<a href=\"https:\/\/techspressionism.com\/nodes\/\">India node<\/a>.<\/li>\n\n\n\n<li>2022, he became the artist to be listed in the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Techspressionism\" target=\"_blank\" rel=\"noreferrer noopener\">Techspressionism<\/a>&nbsp;<a href=\"https:\/\/techspressionism.com\/artists\" target=\"_blank\" rel=\"noreferrer noopener\">artist index<\/a>.&nbsp;Techspressionism is introduced as a new art-historical term to describe fine artists using digital technology to convey subjective, emotional content.<\/li>\n\n\n\n<li>1992 Scholarship Kerala Lalitha Kala Academy<\/li>\n\n\n\n<li>1st Place Winner , 2nd NeoPopRealism Starz Art Competition, USA.<\/li>\n\n\n\n<li>\u201cHonorable Member\u201d&nbsp;<a href=\"https:\/\/immaginepoesia.jimdofree.com\/members\/\">Immagine Poesia<\/a>, Trino, Italy<\/li>\n\n\n\n<li>\u201cSuper Patron\u201d The Virtual Online Museum of Art is the world\u2019s first virtual museum (<a href=\"http:\/\/www.voma.space\/\">voma.space<\/a>)<\/li>\n\n\n\n<li>Bangalore University included his Digital art practice and biography in their&nbsp;<a href=\"https:\/\/bangaloreuniversity.ac.in\/wp-content\/uploads\/2014\/10\/BVA-syllabus.pdf\">Bachelor of Visual Arts<\/a>&nbsp;(BVA) Syllabus (Program: B.V.A in Creative Painting, Course Title: New media art and Technology)<\/li>\n\n\n\n<li>Included&nbsp;<a href=\"https:\/\/www.larryslist.com\/\">Larry\u2019s List<\/a>&nbsp;Art Collector database<\/li>\n\n\n\n<li>In 2014 he was selected among the finalists of the Saatchi Gallery in London for the Motion photography category and Google+ for The Motion Photography Prize . The members of the jury were: the director Baz Luhrmann, the artists Shezad Dawood, Tracey Emin, Cindy Sherman and Saatchi Gallery CEO Nigel Hurst.<\/li>\n<\/ul>\n\n\n\n<p><strong>Publications:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2023&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=F0B2xSnJV1I&amp;t=380s\">The Story of Digital Art<\/a>, Video Presentation by Thorsten Botz-Bornstein (German philosopher and writer)<\/li>\n\n\n\n<li>2021 Digital Art published in 45th edition of the Ven\u00fc Magazine, a prominent arts and luxury publication as part of&nbsp;ArtSpaceship&nbsp;project.<\/li>\n\n\n\n<li>The Lungi serial works published in Chithravartha by Kerala Lalithakala Akademi 2020<\/li>\n\n\n\n<li>Lidia Chiarelli Immagine &amp; Poesia \u2013 The Movement in Progress \u2013 A Cross-Cultural Communications Edition, Merrick, New York, 2013<\/li>\n\n\n\n<li>Artist Exposed \u2013 R.Gopakumar \u2013 Gunas Publishing \u2013 India, 2010<\/li>\n\n\n\n<li>NeoPopRealism Starz: 21st Century ART, 1st Volume, Erotica As A High Artistic Aspiration by Nadia Russ, 2010<\/li>\n\n\n\n<li>NeoPopRealism Starz: 21st Century ART, 2nd Volume, Erotica As A High Artistic Aspiration by Nadia Russ, 2010<\/li>\n\n\n\n<li>MOCA: Museum of Computer Art \u2013 Second Anniversary Exhibit 2010, Brooklyn, New York by Donarcher<\/li>\n\n\n\n<li>International Contemporary Artists \u2013 by Olga Antoniadou, Eve Lemonidou, 2010<\/li>\n\n\n\n<li>The ABC of ARTnership, Vol 2, 2009<\/li>\n\n\n\n<li>Journal of Graphic Engineering and design\u201d, Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design, the University of Ljubljana, Slovenia.<\/li>\n\n\n\n<li>Introduction to Digital Art, John Antoine Labadie, Margie Beth Labadie, Edition: 2, 2019<\/li>\n\n\n\n<li>Encyclopedia of Drawing Art and Painting, Alfonzo Broyles Velma Cain, 2014<\/li>\n\n\n\n<li>Encyclopedia of Drawing Art, Velma Cain, 2014<\/li>\n\n\n\n<li>Encyclopedia of New Media Art, Joe Street, 2014<\/li>\n\n\n\n<li>Journal of Creative Arts and Minds, Vol. 1, No. 1 \u2013 June 2015 [13] A<\/li>\n\n\n\n<li>Beautiful Question: Finding Nature\u2019s Deep Design 2015 \u2013 Frank Wilczek (The Nobel Prize in Physics 2004)<\/li>\n\n\n\n<li>The New Aesthetic and Art: Constellations of the Postdigital, 2016, Lukasz Mirocha, Scott Contreras-Koterbay<\/li>\n<\/ul>\n\n\n\n<p><strong>Collections:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Saatchi Gallery London, UK.<\/li>\n\n\n\n<li>Tate Britain, UK.<\/li>\n\n\n\n<li>Kinsey Institute Indiana University Permanent Art Collection<\/li>\n\n\n\n<li>Immagine Poesia, Torino, Italy<\/li>\n\n\n\n<li>Climate Art Collection, Berlin, Germany.<\/li>\n<\/ul>\n\n\n\n<p><strong>Founder and Curator:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Techspressionism\" target=\"_blank\" rel=\"noreferrer noopener\">Techspressionism<\/a>&nbsp;<a href=\"https:\/\/techspressionism.com\/nodes\/\">India node<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.facebook.com\/groups\/IndianArtGroup\">Indian Art Group<\/a><\/li>\n\n\n\n<li>INCAF- Indian Neo Contemporary Art Foundation.<\/li>\n\n\n\n<li>Art Biennale \u2013 Asia\u2019s First Social Media Biennale of its kind.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles Mentioned:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/itsartlaw.org\/2016\/02\/01\/lets-get-digital\/\">https:\/\/itsartlaw.org\/2016\/02\/01\/lets-get-digital\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.widewalls.ch\/magazine\/digital-artist\">https:\/\/www.widewalls.ch\/magazine\/digital-artist<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/image-poesie.over-blog.com\/article-article-in-malayalam-language-r-gopakumar-april-2014-123377952.html\">https:\/\/image-poesie.over-blog.com\/article-article-in-malayalam-language-r-gopakumar-april-2014-123377952.html<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/thewrong.org\/Cyberiana\">https:\/\/thewrong.org\/Cyberiana<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/v-art.digital\/wp-content\/uploads\/2021\/05\/artspaceship-v-art-v2.0-catalogue-01.pdf\">https:\/\/v-art.digital\/wp-content\/uploads\/2021\/05\/artspaceship-v-art-v2.0-catalogue-01.pdf<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.newindianexpress.com\/cities\/kochi\/2016\/jan\/20\/Sending-an-Alert-not-an-Alarm-871096.html\">https:\/\/www.newindianexpress.com\/cities\/kochi\/2016\/jan\/20\/Sending-an-Alert-not-an-Alarm-871096.html<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.thehindu.com\/todays-paper\/tp-features\/tp-metroplus\/a-postperformance-dialogue\/article7797858.ece\">https:\/\/www.thehindu.com\/todays-paper\/tp-features\/tp-metroplus\/a-postperformance-dialogue\/article7797858.ece<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/novini.bg\/razvlecheniq\/kultura\/279865\">https:\/\/novini.bg\/razvlecheniq\/kultura\/279865<\/a><\/li>\n\n\n\n<li><a href=\"http:\/\/criticaljuncture.info\/ABOUT.html\">http:\/\/criticaljuncture.info\/ABOUT.html<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.complex.com\/style\/a\/miabelle-bocicault\/gifs-saatchi-gallery-google-motion-photography-prize\">https:\/\/www.complex.com\/style\/a\/miabelle-bocicault\/gifs-saatchi-gallery-google-motion-photography-prize<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/kinseyinstitute.org\/collections\/art-artifacts-photographs\/past-exhibitions.php\">https:\/\/kinseyinstitute.org\/collections\/art-artifacts-photographs\/past-exhibitions.php<\/a><\/li>\n\n\n\n<li><a href=\"http:\/\/www.artecittaamica.it\/mostre\/2011\/0527\/to7.pdf\">http:\/\/www.artecittaamica.it\/mostre\/2011\/0527\/to7.pdf<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/issuu.com\/jumboartsinternational\/docs\/jcam_draft_10\">https:\/\/issuu.com\/jumboartsinternational\/docs\/jcam_draft_10<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.grid.uns.ac.rs\/jged\/?pid=1016\">https:\/\/www.grid.uns.ac.rs\/jged\/?pid=1016<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.collecteurs.com\/content\/r-gopakumar\">https:\/\/www.collecteurs.com\/content\/r-gopakumar<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/dwelltimepress.wordpress.com\/2024\/01\/03\/the-solitude-series-by-r-gopakumar\/\">https:\/\/dwelltimepress.wordpress.com\/2024\/01\/03\/the-solitude-series-by-r-gopakumar\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/immaginepoesia.jimdofree.com\/honorary-members-and-representatives-of-the-movement-a-l\/\">https:\/\/immaginepoesia.jimdofree.com\/honorary-members-and-representatives-of-the-movement-a-l\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/techspressionism.com\/nodes\/\">https:\/\/techspressionism.com\/nodes\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.climateartcollection.com\/artworks\/z8p5i5Op3vverjLv5Neu\">https:\/\/www.climateartcollection.com\/artworks\/z8p5i5Op3vverjLv5Neu<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/medium.com\/@worldart\/r-gopakumars-21st-century-mona-lisa-f1332b4178e4\">https:\/\/medium.com\/@worldart\/r-gopakumars-21st-century-mona-lisa-f1332b4178e4<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/medium.com\/@worldart\/the-evolution-of-artistic-practice-a-journey-of-experimentation-3a02523ce038\">https:\/\/medium.com\/@worldart\/the-evolution-of-artistic-practice-a-journey-of-experimentation-3a02523ce038<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/medium.com\/@worldart\/r-gopakumar-shaping-indias-digital-art-landscape-as-its-first-major-collector-044b33540319\">https:\/\/medium.com\/@worldart\/r-gopakumar-shaping-indias-digital-art-landscape-as-its-first-major-collector-044b33540319<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/thewrong.org\/Cyberiana\">https:\/\/thewrong.org\/Cyberiana<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/techspressionism.com\/brooklyn\/reel\/\">https:\/\/techspressionism.com\/brooklyn\/reel\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.mowna.org\/press\/techspressionism\">https:\/\/www.mowna.org\/press\/techspressionism<\/a><\/li>\n<\/ul>\n\n\n\n<p><strong>Permanent&nbsp; Address:<\/strong><\/p>\n\n\n\n<p>Edathitta House, Changankulangara, Oachira P. O., Kollam (District), Kerala, India.<\/p>\n\n\n\n<p><strong>Current Address:<\/strong><\/p>\n\n\n\n<p>P.O. Box 3294, Manama, Kingdom of Bahrain<\/p>\n\n\n\n<p>Email:&nbsp;<a href=\"mailto:gopanraman@hotmail.com\">gopanraman@hotmail.com<\/a><\/p>\n\n\n\n<p>Web:&nbsp;<a href=\"http:\/\/www.gopakumar.in\/\">www.gopakumar.in<\/a><\/p>\n\n\n\n<p>Wikipedia:&nbsp;<a href=\"https:\/\/it.wikipedia.org\/wiki\/Gopakumar_R\">https:\/\/it.wikipedia.org\/wiki\/Gopakumar_R<\/a><\/p>\n\n\n\n<p>Shop:&nbsp;<a href=\"https:\/\/www.seditionart.com\/users\/gopakumar-r\">https:\/\/www.seditionart.com\/users\/gopakumar-r<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>R. Gopakumar (Kerala, India) is an Indian contemporary multidisciplinary artist, Curator and India\u2019s first major digital art collector living and working in Kingdom of Bahrain. He works in a variety of media, including digital art, motion photography, installation, drawing, painting and print. He uses art and technology to discuss and expose the environmental, social and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gopakumar.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18"}],"version-history":[{"count":5,"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":38,"href":"https:\/\/gopakumar.in\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions\/38"}],"wp:attachment":[{"href":"https:\/\/gopakumar.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}